48trx
03-15-2005, 11:45 AM
It's sure been a long while - hope you've all been well and happy!
First off - Bob, I am/was so sorry to learn of your fire. No one who's not been through one (I had a terrible housefire in '90) can imagine the distress and disruption you're all going through. It takes a while. The smell stays with you long after it's really gone - big ozone machines help get it out of your belongings...but you most likely are already a forced-authority in your own right.
Ok, apart from wanting to pop up here finally, I also wanted to make a brief mention about the MX-2424 thread - to speak to the BWF thing.
As you all well know, these machines were orphaned quite a while ago. Development stopped at the time TimeLine(?) went under. One of the bugs that never got worked out was the fact that BWF was never fully implemented in spite of all the marketing. In other words - the .wav files recorded natively by the 2424 are simple wave files. From my experience, I'm certain they remain simple wave files when you edit them internally as well.
You can not place the files along a smpte time code timeline by internal time code numbers embedded in the file headers. There are no such numbers and no such headers. You must phase them or line them up other ways.
Too bad because I've really needed the BWF thing to work out of these machines as I attempted to use them for my main location recorder for our live video shoots way back. Good thing I had a TC DAT machine as a backup!
Via contacts at Tascam, it might be possible to get ahold of the firmware people (if they can be found) and offer them money to enable this functionality, but Tascam would certainly never do it - it would be a private matter.
If there was enough interest out there, I would be willing to locate the person most responsible for the 2424 coding and enter a dialog about BWF implementation as a firmware upgrade. Of course, it might be costly.
Anyway, just thought I'd mention all that.
BTW - how are you folks who are doing surround dealing with the automatic stereo downmix thing? I'm always a bit frustrated by what I'm hearing in my surround mixes when they're played back in analog stereo.
All the best,
Chris Mickle
Denver
First off - Bob, I am/was so sorry to learn of your fire. No one who's not been through one (I had a terrible housefire in '90) can imagine the distress and disruption you're all going through. It takes a while. The smell stays with you long after it's really gone - big ozone machines help get it out of your belongings...but you most likely are already a forced-authority in your own right.
Ok, apart from wanting to pop up here finally, I also wanted to make a brief mention about the MX-2424 thread - to speak to the BWF thing.
As you all well know, these machines were orphaned quite a while ago. Development stopped at the time TimeLine(?) went under. One of the bugs that never got worked out was the fact that BWF was never fully implemented in spite of all the marketing. In other words - the .wav files recorded natively by the 2424 are simple wave files. From my experience, I'm certain they remain simple wave files when you edit them internally as well.
You can not place the files along a smpte time code timeline by internal time code numbers embedded in the file headers. There are no such numbers and no such headers. You must phase them or line them up other ways.
Too bad because I've really needed the BWF thing to work out of these machines as I attempted to use them for my main location recorder for our live video shoots way back. Good thing I had a TC DAT machine as a backup!
Via contacts at Tascam, it might be possible to get ahold of the firmware people (if they can be found) and offer them money to enable this functionality, but Tascam would certainly never do it - it would be a private matter.
If there was enough interest out there, I would be willing to locate the person most responsible for the 2424 coding and enter a dialog about BWF implementation as a firmware upgrade. Of course, it might be costly.
Anyway, just thought I'd mention all that.
BTW - how are you folks who are doing surround dealing with the automatic stereo downmix thing? I'm always a bit frustrated by what I'm hearing in my surround mixes when they're played back in analog stereo.
All the best,
Chris Mickle
Denver