I'm merely attempting to use group compression, and when I cross-fade a DCA with a submix, the goal is to push everything into compression, or pull everything out of it. So no, I won't be taking...

Because then I wouldn't have to create a scene at all just to do a cross-fade of two group faders.

But I need to change the relative input positions of the input faders during a show, and then I want to use my cross-fade scene change to adjust the DCA vs submix faders. If I put the input faders...

Your assumption is that I want the input faders to go back to where they were positioned as stored in the scene change. But I *don't* want that -- I don't want pre-set input fader positions for this...

What about this one? Maybe I didn't understand what you were saying, Bob, but I *do* want the DCA-assigned input faders to move along with the group DCA fader when it changes between scenes. What I...

Bob, that's actually my current work-around -- latching the submix groups together.
But then I lose the ability to mute one group at a time, without having to hold ALT. So the work-around there is...

...or expensive.

Oh ya ya -- I wasn't suggesting that a passive splitter could get the job done for combining. I spent my early career in the days when cablemodems had downstream (input) and upstream (output)...

It's been a few years. Did anyone ever come up with a way to do VCA-controlled subgroups? (I get to revive a past client's SAC system, and get him up to 3.1. -- so I'm re-visiting this.)

I saw...

I realize this topic is about combiners, but here's a great video on splitting signals, DIY. It may get you thinking in the right direction for combining.
...

I'll have to ask JBell to design a HT sub. :) I'll go ahead and build my THTLP though. fun fun...

And that's exactly what I'm after ... the LFE (Low Frequency Effects) put into the .1 of 5.1 and 7.1 movie streams.

Not that I've ever seen. It may be that most A/D stages are rated only down to 20hz due to some roll-off, but that's not a function of digital sampling. Now, there is the upper frequency limit,...

Not for music/instruments, but for LFE from movies.

So does JBell have a HT version? I don't really need 120+ dB, but 10Hz would be nice. :)

Brent, any progress?

My experience is different with the Babyface. I've mixed two gigs, both times using an ADA8000, plus the two Babyface mic pre's. Stereo out + mono sub, plus two mon mixes. So 10x5. This was on a...

I completely agree with running wired in-ears wherever possible. It's cheaper, quieter, more reliable. Some musicians will never really need to "get up and jump around" the stage, so stockpile a...

Yep, I really want to try this. An advantage -- though not a huge one -- is that it lets me build a very powerful, but 1U, SAC host, with a single PCIe card for all the channels I need.

Most...

Has anyone tried any of the new Win8 tablets with SACRemote? Like others here, I'm looking for options for a customer for user interfaces on stage.

Did this ever go anywhere?

Thanks, Paul. I remember trying those a few years ago in my Forte host -- I had forgotten about them.

It seems the link is still bad. I could really use this app, if anyone has a demo copy I can try.

Yep, this is how my live performance synth vst host (Brainspawn Forte) works.

Same experience here. I just tested mine at a rehearsal for an upcoming gig, on an HP 6930p laptop with XP, with an ADA800 hanging off the Babyface. Running 10 inputs, FOH and 5 MON consoles. The...