Nice... he doesn't just write code!
You can read more about it and see more pictures here.
Nice... he doesn't just write code!
You can read more about it and see more pictures here.
Currently using:
T43p Thinkpad w/XP SP3 for FOH, Subs and Front Fill Mixes (20% CPU load);
T500 Thinkpad w/Win7 SP1 for 6 Monitor Mixes (15% CPU load)
Running at 2x32
2 Digifaces, 1 w/CardBus, 1 w/ExpressCard
3-Octamic-D for mic inputs - using the dual outputs to split the ADAT signal to the Digifaces;
1-RME ADI-8 Pro for all FOH sends; 1-RME ADI-8 Pro for all Monitor sends;
" It is one of the most beautiful compensations in life … that no man can sincerely try to help another without helping himself." - Ralph Waldo Emerson
Bill Corkery Productions
Studio for Creative Audio
+1 on the bass playing frog too!
" It is one of the most beautiful compensations in life … that no man can sincerely try to help another without helping himself." - Ralph Waldo Emerson
Bill Corkery Productions
Studio for Creative Audio
Currently using:
T43p Thinkpad w/XP SP3 for FOH, Subs and Front Fill Mixes (20% CPU load);
T500 Thinkpad w/Win7 SP1 for 6 Monitor Mixes (15% CPU load)
Running at 2x32
2 Digifaces, 1 w/CardBus, 1 w/ExpressCard
3-Octamic-D for mic inputs - using the dual outputs to split the ADAT signal to the Digifaces;
1-RME ADI-8 Pro for all FOH sends; 1-RME ADI-8 Pro for all Monitor sends;
Ok ... I've got to have that Frog!
Rob
Robert Bobrowski
Edmonds, Washington USA
rabbitaudio@comcast.net
You guys are missing the whole point of the post he built this board
by hand, he drew it and built it, he's a mastermind.
Currently using:
T43p Thinkpad w/XP SP3 for FOH, Subs and Front Fill Mixes (20% CPU load);
T500 Thinkpad w/Win7 SP1 for 6 Monitor Mixes (15% CPU load)
Running at 2x32
2 Digifaces, 1 w/CardBus, 1 w/ExpressCard
3-Octamic-D for mic inputs - using the dual outputs to split the ADAT signal to the Digifaces;
1-RME ADI-8 Pro for all FOH sends; 1-RME ADI-8 Pro for all Monitor sends;
Micro, I was convinced of Bob's genius a long time ago while researching DAWs and deciding SAWStudio was best for me, and my opinion has not changed. I had read where he'd also built his own console along the way and this is the first picture I've seen of it so thanks for posting.
Rob
Robert Bobrowski
Edmonds, Washington USA
rabbitaudio@comcast.net
I've also been convinced of Bob's genius long ago. It's things like this, and having heard his live mixes done with saw and/or sac, and just the way he handles things in general. What I do question, is people that question him.
Happy New Year, to Bob and all!
Tony
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